Indigenous Women, Autobiography, and Life Writing

McIlwraith, Naomi L. "ê-wîtisânîhitoyâhk asici pîkiskwêwin Language Family." kiyâm. [Electronic

Poems. AU Press, 28-32

Odjig, D. (1979). Homecoming [serigraph silkscreen]. Winnipeg Art Gallery, Winnipeg, MB, Canada

Van Camp, R.(2015) Uncle Richard Van Camp's Storytelling Tips. in Taylor, D. H. (ed.) Me artsy : an exploration and deconstruction of the Aboriginal artistic spirit as seen and practised through various art forms that demonstrate reflections on society through an Indigenous perspective, including talents not just limited to those considered strictly traditional in origin, but inclusive of more contemporary forms of cultural expression. Douglas & McIntyre: 249-267

Halfe, L. (1994). Body politics. Bear bones & feathers. Saskatoon: Coteau Books: 32

Dumont, D. (2011). Young's Point. Nobody cries at bingo. Saskatoon: Thistledown Press

Twist, A. (2019). Brother. Disintegrate/dissociate : poems. Vancouver: Arsenal Pulp Press

Miranda, D. “Coyote Takes a Trip” in Driskill, Q.-L., Justice, D. H., Miranda, D. A., & Tatonetti, L. (2011). Sovereign erotics : a collection of two-spirit literature. University of Arizona Press: 59-65

Morgan, J. (2019). Skyler. Nitisanak. Metonymy Press (pp. 30- Patriarchy and 35) Misogyny

Campbell, Tenille. ‘#1608’, ‘#608’. from #Indian Love Poems. 6 Winnipeg: Signature Editions, 2017

Alvarez, P. (2019). Indigenous (Re)inscription: Transmission of cultural knowledge(s) through Tattoos as Resistance. In S. T. Kloss. (Ed.) Tattoo histories: transcultural perspectives on the narratives, practices, and representations of tattooing (First edition.). (pp. 157-175). Routledge

Recollet, K. (2015). For sisters. In D. Hayden Taylor & D. Taylor (Eds.), Me Artsy, Douglas and McIntyre (2013) Ltd.,

Power, Resistance (academic article) & Social Change

Cuthand, R. (2009). Smallpox. Collection of the MacKenzie Art Gallery

Belcourt, C. (2014). New beginnings. Joliette Art Museum 9 (Musée d'art de Joliette)

LaPensée, E. & Alvitre, W (Illustrator). (2020). They Come for Water. In MOONSHOT: The Indigenous Comics Collection (Vol. 3, pp.)

McIlwraith, Naomi L. "ê-wîtisânîhitoyâhk asici pîkiskwêwin Language Family." kiyâm. [Electronic Resource] : Poems. AU Press, 28-32

Dumont, M. (2007). That tongued belonging. That Tongued Belonging. Kegedonce Press, pp. 1-2

Van Camp, R.(2015) Uncle Richard Van Camp's Storytelling Tips. in Taylor, D. H. (ed.) Me artsy : an exploration and deconstruction of the Aboriginal artistic spirit as seen and practised through various art forms that demonstrate reflections on society through an Indigenous perspective, including talents not just limited to those considered strictly traditional in origin, but inclusive of more contemporary forms of cultural expression. Douglas & McIntyre: 249-267

Halfe, L. (1994). Body politics. Bear bones & feathers. Saskatoon: Coteau Books: 32

Taylor, D. H. (2005). Introduction. Me funny. Vancouver: Douglas & McIntyre

Dumont, D. (2011). Young's Point. Nobody cries at bingo. Saskatoon: Thistledown Press

Twist, A. (2019). Brother. Disintegrate/dissociate : poems. Vancouver: Arsenal Pulp Press

Monkman, K. (2010). Dance to Miss Chief [film]. Individual: Garden drawing Gender Expression

Miranda, D. “Coyote Takes a Trip” in Driskill, Q.-L., Justice, D. H., Miranda, D. A., & Tatonetti, L. (2011). Sovereign erotics : a collection of two-spirit literature. University of Arizona Press: 59-65

Campbell, Tenille. ‘#1608’, ‘#608’. from #Indian Love Poems. Winnipeg: Signature Editions, 2017

Alvarez, P. (2019). Indigenous (Re)inscription: Transmission of cultural knowledge(s) through Tattoos as Resistance. In S. T. Kloss. (Ed.) Tattoo histories: transcultural perspectives on the narratives, practices, and representations of tattooing (First edition.). (pp. 157-175). Routledge

Power, Resistance & Social Change

Cuthand, R. (2009). Smallpox. Collection of the MacKenzie Art Gallery

LaPensée, E. & Alvitre, W (Illustrator). (2020). They Come for Water. In MOONSHOT: The Indigenous Comics Collection (Vol. 3, pp.)