Modernity, Italian Style. Class, Gender, Race, Ideology in the Cinema of the Economic Miracle

Grappling with migration, class struggle, ethnic, gender and generational conflicts, environmental upheavals, counter-cultural movements and a profound ideological polarization, Italy in the 1960s provides a striking historical laboratory for our contemporary predicaments. We will watch a selection of films from the golden decade of Italian cinema, focusing in particular on how modernist masters such as Antonioni, Fellini and Pasolini, and young auteurs such as Bellocchio, Bertolucci and Cavani, forged original styles and expressive techniques in order to capture and denounce the contradictions of a neo-capitalist society. Taught in English (an Italian discussion session will be activated if enough students enroll).