Film and Media Studies
2026-2027
135 courses
- FILM 1Introduction to Film: From Script to Screen
- FILM 2Introduction to Television
- FILM 20Film History I (Silent to Sound)
- FILM 21Film History II (1930-60)
- FILM 22Film History III (1960 to 1990)
- FILM 23Film History IV (1990-present)
- FILM 3Introduction to Digital Arts and Culture
- FILM 30Documentary Videomaking
- FILM 31Filmmaking I: Basic Elements of Film
- FILM 32Filmmaking II
- FILM 33Writing for the Screen I
- FILM 34Writing for the Screen II
- FILM 35Animation: Principles and Practice
- FILM 36.01Experimental Videomaking (Autobiography)
- FILM 36.03TV Production
- FILM 37Directing for the Camera
- FILM 38Advanced Animation
- FILM 39Advanced Videomaking: Group Documentary
- FILM 39.01Advanced Videomaking: Documentary and Experimental
- FILM 4Introduction to Thinking About Media
- FILM 40Theories and Methodologies of Film and Media Studies
- FILM 41.01Infernal Affairs: Police on Film
- FILM 41.02Shades of Noir: Film, Fiction, Politics
- FILM 41.04Ethnographic Film
- FILM 41.06Bond and Beyond
- FILM 41.07Cinema and the Graphic Novel
- FILM 41.08The Cinematic City
- FILM 41.09History of Animation
- FILM 41.10Global Gothic
- FILM 41.11Genre: History of Visual Music
- FILM 41.12Screwball Comedy
- FILM 41.13Women in Musicals
- FILM 41.14The Western
- FILM 41.1520th-Century American Film Comedy
- FILM 41.16Space and Genre
- FILM 41.17Water In the Lake: Real Events for the Imagination
- FILM 41.18Latinx-ploitation
- FILM 41.19The Musical
- FILM 41.20Special Effects in Film History
- FILM 41.21Music and Media in Everyday Life
- FILM 41.22Feminist and Queer Video Art: "I’m asking – does it exist? What is it? Whom is it for?"
- FILM 41.23Sport Film
- FILM 42.02New Waves
- FILM 42.03New Latin American Cinema
- FILM 42.08Asian Animation as Socio-Political Artifact
- FILM 42.09African Cinema
- FILM 42.13Global Documentary and Transnational Cinema
- FILM 42.14Mexican Cinema
- FILM 42.15Nothing is True and Everything is Possible: Politics, Media, and Religion in Post-Soviet Russia
- FILM 42.16Reel Resistance: Black Protest Cinema
- FILM 42.17Of Golems, Vampires, and Robots: The Haunted Screen of Weimar Cinema (in English)
- FILM 42.18Migration, Mobility and the Movies: German Film in Global Context
- FILM 42.19The Middle East in Film: Picturing the Past and Present
- FILM 42.20The Berlin School (in English)
- FILM 42.21Black France on Film
- FILM 42.22Moviegoing in America
- FILM 42.23Travelers, Tourists, and Sojourners: Mobility in the Movies
- FILM 42.24Race, Class, Gender and Sexuality in Contemporary Brazilian Film
- FILM 43.01Women Make Movies: Women and Film Authorship
- FILM 43.02Family Matters: Pedro Almodovar, Gender Reversals, and New Communities
- FILM 43.04Hitchcock
- FILM 43.05Truffaut and Godard
- FILM 44.01Handmade Cinema
- FILM 44.02Cut and Paste Cinema
- FILM 44.03Filming the Landscape
- FILM 44.04Sound: Practice and Theory
- FILM 44.06Storytelling in the Digital Age
- FILM 44.07Docu-Fantasy and the Speculative Narrative in Multi-Ethnic Cinema
- FILM 44.08The Art of Adaptation and Storytelling
- FILM 44.09Cinematography I: Lighting and Composition
- FILM 44.10Writing for Television
- FILM 44.12The Idea of Africa: Deconstructing Race in the Iconography of a Continent
- FILM 44.13Writers’ Room
- FILM 44.14Making Video Essays
- FILM 44.15SLOW Lab: Seeing, Looking, Observing, Witnessing
- FILM 44.16Does Media Die?
- FILM 44.17Media Entrepreneurship and Practice
- FILM 45U. S. Television History
- FILM 46.01Television and Histories of Gender
- FILM 46.04Broadcast Journalism and Electronic Journalism History
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