MUS 221
Theory & Analysis III W/Lab
Continuation of Theory and Analysis II. Topics include chromatic harmony, tonicization and modulation, contrapuntal techniques, variation, rondo and sonata forms, and linear chromaticism. Written work comprises analytical and composition assignments, and musicianship skills include ear training, keyboard theory, and improvisation.
Topics
- chromatic harmony
- tonicization and modulation
- contrapuntal techniques
- variation
- rondo and sonata forms
- and linear chromaticism
Topics explicitly listed in official catalogue description
Sources
- Course catalogue ↗2026-2027