BLST 2650
Black Music, Cult, Polt
The primary concern of this course is to consider how rhythm and blues culture has participated in debates about black politics, black enfranchisement, and black identity in the post-civil rights era. It will pay attention to how black cultural producers capitalized on the commercialization of blackness to gain greater exposure and expand the boundaries of blackness.
Sources
- Course catalogue ↗2026-2027