Phys Theat: Mask, Move Text

3 Credits · Level: Undergraduate

This course explores the connection between movement and text with an emphasis on deepening the relationship between the poetic voice and the poetic body. The physical movement is based on the neutral mask technique developed by Jacques Lecoq and will be applied to text, scene study, chorus, and character development. The vocal work is grounded in the practices of Kristin Linklater and Patsy Rodenburg with particular attention to the voice in relation to poetry and heightened language. Students will work to develop a personal understanding of the connection between body and voice through implementing a physical approach to create greater complexity and specificity in performance. This technique invites the performer to delve deeper into themselves as well as the world around them and develop skills of observation to be applied to the creative process. Written assignments and presentations (solo/group) will be based on observations of nature, elements, colors, and spaces. In addition, the class will introduce exercises to students around ensemble inquiry, language of movement, rhythm, and tension states. Course readings will engage in the writings of Jacques Lecoq as well as artists and theater companies influenced by his concept of the “actor-creator” (Complicité, Mnouchkine, Pig Iron). The course will challenge the student to have a more dynamic relationship between body and voice, create work with a sense of play, and develop a more vital presence on stage.