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EAFM 151

Documenting China on Film

Harvard FAS

What defines a film as “documentary”? How do documentary films inform, persuade, provoke, or move us? Of whom, by whom, and for whom are documentaries made? Can documentary also be “propaganda” or “art”? What rhetorical devices and aesthetic strategies do documentaries use to construct visions of reality and proclaim them as authentic, credible and authoritative? What…

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