EAFM 151
Documenting China on Film
What defines a film as “documentary”? How do documentary films inform, persuade, provoke, or move us? Of whom, by whom, and for whom are documentaries made? Can documentary also be “propaganda” or “art”? What rhetorical devices and aesthetic strategies do documentaries use to construct visions of reality and proclaim them as authentic, credible and authoritative? What…
Sources
- Course catalogue ↗Public 2026-2027 offerings