Comparative Late- and Post-Cold War Cultures in China, the USSR, and Beyond

3 Credits.

This course invites students to explore culture in the late and post-Cold War world from a broader perspective by surveying literature, thought, cinema, art, and music in Chinese and Soviet (and post-Soviet) societies from the 1980s to the present. How did Chinese and Soviet (and post-Soviet) intellectuals reconfigure, reform, and/or reinvent their cultures as they re-embraced or debated ideas of freedom, democracy, and globalization? How did they grapple with the legacies of their socialist and even pre-socialist pasts as they entered new eras of reforms? How did reform movements adopt different forms and strategies in different parts of the USSR and in the Sinophone world? What kinds of negotiations took place between various centers and peripheries within and around these regions? What can we learn from their cultural endeavors about the promises, contradictions, and discontents of the post-Cold War world, as we witness the rise of a so-called “new cold war” and revisionist coalitions against globalization today? In this co-taught course, specialists in Sinophone and Soviet cultures and their legacies will guide students in reading and discussing representative works from the 1980s onward from a comparative perspective. Readings include the film Hibiscus Town, Cui Jian, Yu Hua, Ge Fei, Can Xue, Mo Yan, Yan Lianke, and Ng Kim Chew, as well as the film Russian Ark, Viktor Tsoi, Komar and Melamid, Aka Morchiladze, Oksana Zabuzhko, and Serhiy Zhadan. No prerequisites. All course materials will be provided in English translation or with English subtitles.