THEORY 535
Pop-Rock Music Theory
This course explores tonal form and analysis in American and British pop-rock and roots music of 1947-present, from performance, compositional, and critical perspectives. Music includes Tori Amos, the Beatles, Chuck Berry, Bo Diddley, Gloria Gaynor & other disco artists, Jimi Hendrix, Etta James, Led Zeppelin, Nirvana, Elvis Presley, Radiohead, the Smiths, Hank Williams, Stevie Wonder & other Motown artists, and many more. Assignments include reading, listening, musical transcription, aural and written analysis, class presentations, and critical writing.
Prerequisites & course information
THEORY 240 AND 250. (Prerequisites enforced at registration.) THEORY 259 or JAZZ 221 may substitute for THEORY 250. May be repeated for credit.
Sources
- Course catalogue ↗2026-2027
- Catalogue entry ↗
Catalogue variants
- Pop-Rock Music Theory · Graduate credit