Musical Improvisation
Students study concepts and practice techniques of improvisation in solo and ensemble contexts. Centered on the jazz tradition, examines relationships between improvisation, composition, and performance, utilizing both mainstream and experimental approaches. Students are expected to perform in class on a regular basis. Involves extensive listening and analysis. Music reading skills are required, as is intermediate instrumental or vocal proficiency. Enrollment limited to 15; open by audition to instrumental or vocal performers.
Spring 2013
In this course, students study concepts and practice techniques of improvisation in solo and ensemble contexts. The course examines relationships between improvisation, composition, and performance based in traditional and experimental approaches. Hands-on music making will be complemented by discussion of the aesthetics of improvisation. Weekly lab sessions support work on musical technique. Guest artist / lecturers will engage students through mini-residencies in jazz with film, Indian music, electronic music, and blending improvisation with classic music; and an accompanying concert series will feature these artists in performance. Open by audition to instrumental or vocal performers.
Readings
- Hall, Tom. Free Improvisation: A Practical Guide . Bee Boy Press, 2009. ISBN: 9780615328621.
Prerequisites & course information
Prereq: Permission of instructor U (Spring) 3-0-9 units. HASS-A
Sources
- Course catalogue ↗2026–2027
- MIT OpenCourseWare ↗Spring 2013
- MIT OCW syllabus ↗
- Historical MIT OpenCourseWare offering. Named reading entries and schedule topics are automatically extracted from the linked source pages.