21M.S53
Special Subject in Music
Study of musical topics not covered in the regular subject listings, particularly experimental subjects offered by permanent or visiting faculty.
Spring 2014 · Chinese Popular Musics in Dialogue
Topics
- The Bright Lights of Shanghai
- Decadent Sounds
- Li Jinhui, the Stars of Shidaiqu , and Perils of Performance
- The Sounds of Revolution
- Political Reform, Gangtai in the PRC, and the Rise of Tongsu
- Nothing To My Name: Forays Into Yaogun
- Musicians Respond to the Tiananmen Protests
- Rocking On the Brink of the New Millennium
- Interlude: Centers and Peripheries
- Sounding the Beautiful Island, Overview and Historical Foundations
- Popular Music and Cultural Politics in Taiwan
- The Mandopop Mainstream
- The Indie Underground
- Singing the Fragrant Harbor
- Gendering Cantopop
- Sounds like Hong Kong? Language and Identity in Cantopop, Part 1
- Sounds like Hong Kong? Language and Identity in Cantopop, Part 2
- Hip-hop, Around the World and Back Again 1
- Hip-hop, Around the World and Back Again 2
- Transnational Pop Superstars: Jay Chou and Wang Leehom
- Karaoke Heroes in “Chinese” America, Part 1
- Karaoke Heroes in “Chinese” America, Part 2
- Course wrap-up
- Final Presentations
Prerequisites & course information
Prereq: Permission of instructor U (Fall, Spring; second half of term) Not offered regularly; consult department Units arranged Can be repeated for credit.
Sources
- Course catalogue ↗2026–2027
- MIT OpenCourseWare ↗Spring 2014
- MIT OCW calendar ↗
- MIT OCW syllabus ↗
- Historical MIT OpenCourseWare offering. Named reading entries and schedule topics are automatically extracted from the linked source pages.
Catalogue variants
- Special Subject in Music · Units arranged · Undergraduate