Introduction to Artistic Experimentation
Introduces artistic practice and critical visual thinking through three studio-based projects using different scales and media, for instance, "Body Extension," "Shaping Time," "Public Making," and/or "Networked Cultures." Each project concludes with a final presentation and critique. Students explore sculptural, architectural, performative artistic methods; video and sound art; site interventions and strategies for artistic engagement in the public realm. Lectures, screenings, guest presentations, field trips, readings, and debates supplement studio practice. Also introduces students to the historic, cultural, and environmental forces affecting both the development of an artistic vision and the reception of a work of art. Lab fee required. Limited to 20.
Spring 2007 · Introduction to the Visual Arts
Topics
- Presentations: Drawing or presentation of type of puppet
- Workday
- Body Extension critique
- Visiting artist: Jason Scheidel
- Video critique
- Show
- Individual critique
Readings
- McCloud, Scott. Understanding Comics . New York, NY: Harper, 1994, chapter 3. ISBN: 9780060976255. This is of a marvelous book by Scott McCloud. The entire book is worth reading.
- Robbins, David. “Concrete Comedy: A Primer.” Artforum, November 2004. This is an essay written by the artist David Robbins for an issue of Artforum about 2 years ago. He is about to publish an entire tome on the subject, this essay as meant as an introduction.
Prerequisites & course information
Prereq: None U (Fall) 3-3-6 units. HASS-A
Sources
- Course catalogue ↗2026–2027
- MIT OpenCourseWare ↗Spring 2007
- MIT OCW calendar ↗
- MIT OCW syllabus ↗
- MIT OCW readings ↗
- Historical MIT OpenCourseWare offering. Named reading entries and schedule topics are automatically extracted from the linked source pages.