Documentary Production

1-2-6 units · Undergraduate

Presents the basics of capturing documentary footage and sounds in real world scenarios, while navigating the ethics of capturing "reality," depicting real people, and representing "truth." Investigates methodologies of editing for production: for film or alternative media such as interactive, web, installation, and location intervention. From Robert Flaherty (silent era) and John Grierson (British model) to Morin & Rouch (cinema verite) and George Stoney (community engagement) to Errol Morris (epistemological interview) and Adam Chris (journalistic essay), considers the history and context of documentary and the various ways people have attempted to represent the real world, including newer hybrid forms that mix fiction, nonfiction, and nonlinear interactive works. Students produce a documentary short on the subject and in the medium of their choice. Additional work required of graduate students. Lab fee required. Limited to 10 total for versions meeting together.