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Introduction to Video

Undergraduate · Historical course

Spring 2004

Topics

  • Introduction to the Course
  • Introduction to Assignment #4: Personal Documentary (Autobiography) (cont.)
  • Assignment #4: “Personal Doc”
  • Introduction to Assignment #5: Personae and the Fictive Self (Autobiography)
  • Class Exercise: Screening of Completed “Hartley” Edits
  • Production Time
  • Assignment #5: “The Fictive Self”
  • Individual Presentations: Cinematography
  • Individual Edits of Hartley Scene
  • Introduction to Assignment #7: Stories (Alternative Narratives)
  • Individual Presentations
  • Individual Meetings
  • Individual Meetings (cont.)
  • Technical Workshop: Final Cut Pro® Color Manipulation
  • Presentation of Final Project Treatment, Storyboards and Influences
  • Assignment #7: Stories (Alternative Narratives)

Readings

  • Rabiger, Michael. Directing – Film Techniques and Aesthetics. Focal Press, 2003. ISBN: 0240805178.
    Recommended
  • Rush, Michael. New Media in Late 20th Century Art. Thames and Hudson, 2001. ISBN: 0500203296.
    Recommended
  • Rush, Michael. Video Art. Thames and Hudson, 2003. ISBN: 0500237980.
    Recommended
  • Zettl, Herbert. Sight, Sound, Motion: Applied Media Aesthetics. Wadsworth Pub. Co., 1998. ISBN: 0534526772.
    Recommended
  • SES #: 6 · TOPICS: Introduction to Assignment #4: Personal Documentary (Autobiography) (cont.) · READINGS: Rush, Michael. Introduction in New Media in Late 20th Century Art . Thames and Hudson, 2001. ISBN: 0500203296.
    Reading assignment
  • Rush, Michael. Introduction in New Media in Late 20th Century Art. Thames and Hudson, 2001. ISBN: 0500203296.
    Recommended
  • Russell, Catherine. “Autoethnography from Journeys of the Self.” Chapter 10 in Experimental Ethnography. Duke University Press, 1999. ISBN: 0822323192.
    Recommended
  • Wilt, Adam. “Uncompressed? Lossless?” DV.com Technical Difficulties Archive (accessed September 14, 2004).
    Recommended
Sources