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4.602

Modern Art and Mass Culture

4-0-8 units. HASS-A; CI-H · Undergraduate

Introduction to theories of modernism and postmodernism and their related forms (roughly 18th century to present) in art and design. Focuses on how artists use the tension between fine art and mass culture to critique both. Examines visual art in a range of genres, from painting to design objects and "relational aesthetics." Works of art are viewed in their interaction with advertising, caricature, comics, graffiti, television, fashion, "primitive" art, propaganda, and networks on the internet. Additional work required of students taking graduate version. Limited to 15.

Spring 2012

Topics

  • Introduction to Theories of Modernism and Modernity
  • Introduction to Theories of Mass Culture
  • Eugène Delacroix, or How to Imagine Liberty
  • Caricature and the Safehouse of “High Art”
  • Courbet, Realism, and Popular Images / ASCO preview
  • Manet: Flâneurs and Flâneuses in the Modernizing City / ASCO
  • European Orientalism: Camille’s Kimono and Gauguin’s Skirt
  • The Impressionist Eye as Camera
  • Serial Impressions (Print and Eye)
  • Picasso’s Cubism: Politics and/or Semiosis
  • The Soviet Avant-Garde
  • Futurism’s and Dadaism’s Popular Mechanics
  • In and Around Duchamp
  • Irrational / Rational Production: Surrealism vs. The Bauhaus Idea
  • Anti-culture? Dubuffet, Pollock, and Premonitions of the Postmodern
  • Robert Rauschenberg’s Coca-Cola Plan / International Pop
  • The “Business Art Business,” Globalism vs. Globalization
  • Postmodernism, Spectacle, and Institutional Critique
  • Postmodernism and Feminism
  • New Media / Mass Media / Sensory Reconfigurations
  • Biennial Culture and the Aesthetics of Experience
  • Present-day Strategies Vis-a-vis Art and Mass Culture

Readings

Prerequisites & course information

Subject meets with 4.652 Prereq: None Acad Year 2027-2028: U (Spring) Acad Year 2028-2029: Not offered 4-0-8 units. HASS-A; CI-H

Sources