Italian Cinema II: The World of Illusions
This course begins in the 1960s, when Italy stood at the center of the film world, and traces the history of Italian cinema to the present day. We will focus on the heyday of Italian auteurs – Federico Fellini, Michelangelo Antonioni, Luchino Visconti, and Pier Paolo Pasolini – examining how each brought a singular vision to the collective medium of cinema. Working against the hegemony of Hollywood, Italian filmmakers in the twentieth century created new forms of representation that inspired audiences worldwide. They continue to do so in the new millennium, building on the innovations of illustrious predecessors like Bertolucci and Pontecorvo, Wertmüller and Cavani to reveal new realities to moviegoers across the globe. We will analyze how questions of class, faith, gender, identity, and ideology intersect on screen as Italian directors seek both to expose and to recreate the illusions by which we live. With a filmography featuring both masterpieces of world cinema and cult classics, this course will investigate how pioneering Italian directors reshaped every genre of film, including action & adventure, comedy, crime, documentary, melodrama, mystery, thriller, horror, and more. The course is taught in English and all films will have English subtitles.
Sources
- Course catalogue ↗2026-2027