Italian Cinema 1: New Realisms in the Old World

(3 Credit Hours) · Undergraduate

This course explores the history of Italian film from the silent era to the 1960s, an epoch stretching from Francesca Bertini's Assunta Spina to Federico Fellini's La dolce vita. At the center of this period is the age of Italian neorealism, when directors such as Vittorio De Sica, Roberto Rossellini, and Luchino Visconti invented new ways of looking at the world that radically transformed the history of world cinema. Focusing their attention on issues and individuals that had gone unseen in Fascist and post-Fascist Italy, the neorealists challenged established norms by making the experiences of ordinary Italians increasingly visible, developing techniques for representing reality that continue to influence filmmakers across the globe. We will analyze how questions of class, faith, gender, identity, and ideology intersect on screen as Italian directors explore and attempt to intervene in a rapidly transforming modern world. With a filmography featuring both masterpieces of world cinema and cult classics, this course will investigate how the quest to capture reality reshaped every genre of Italian film, including action & adventure, comedy, crime, documentary, melodrama, mystery, thriller and more. The course is taught in English and all films will have English subtitles.