Theory of Recording and Mixing for Composers

2.0 credits

This course will introduce and reinforce concepts of recording and mixing theory from the perspective of composers and arrangers. Jobs in composition and arranging now demand knowledge and skill in basic audio engineering theory. Topics to be covered in this course include: Microphone theory and applications; Proper DAW workflows and deliverables; Use and theory of equalization, compression, and effects; Discussions of recording and mixing philosophies for different genres; and Digital/Analog audio theory. The course will require completion of a set of projects which will include elements of recording and mixing.