Poéticas Afrocaribeñas: de la esclavitud a Bad Bunny

Undergraduate / Graduate

In this course, we will study key manifestations of the Afro-Hispanic Caribbean poetic tradition, from its earliest known expressions in the nineteenth century to present-day practices in hip-hop and reguetón. The course examines what is meant by Afro-Caribbean poetics, the tropological systems and thematic repertoires that have characterized it, how these have transformed over time, and the extent to which this poetry has served as a vehicle for exploring the cultural and racial identities of the region and as an instrument of resistance to various forms of extreme violence. The course will also introduce the concepts and methods necessary for poetic analysis. Materials to be studied will include the work of enslaved and free Afro-descendants in the late period of Spanish colonialism in the Americas (Plácido and J. F. Manzano); the experimental approaches of the Negrista avant-garde (Nicolás Guillén and Luis Palés Matos); feminist reformulations of these traditions (Nancy Morejón, Mayra Santos); and the music of contemporary artists such as Calle Trece, iLe, and Bad Bunny.