Theater

2026-2027

420 courses

THEATER 10Introduction to Theater
THEATER 101AGlobal Histories of Theater and Performance I
THEATER 101BGlobal Histories of Theater and Performance II
THEATER 102ATheater of Japan
THEATER 102BK-Pop: Race, Gender, and Sexuality in Globalizing Asian Media
THEATER 102CCross-Cultural Currents in Theater
THEATER 102DTrans Theater and Performance
THEATER 103FNative American Theater
THEATER 103IIsrael and Palestine: Communities, Conflicts, Cultures, and Arts in Middle East
THEATER 103KAsian American Theater: Technologies and Migrations in Trans-Pacific Performance
THEATER 104DNew Playwrights, New Playwriting
THEATER 105Main Currents in Theater
THEATER 106History of American Theater and Drama
THEATER 107Drama of Diversity
THEATER 108Undergraduate Seminar: History and Criticism
THEATER 11Approaches to Interpretation of Theater and Performance: Global Perspective
THEATER 110History of American Musical Theater
THEATER 111Creating Theatrical Season
THEATER 113Special Topics in Theater and Performance Studies
THEATER 115AThe Actor's Imagination I
THEATER 115BThe Actor’s Imagination II
THEATER 116AThe Actor’s Toolbox I
THEATER 116BThe Actor’s Toolbox II
THEATER 117Topics in Physical Performance
THEATER 118ATeaching Artist Fundamentals
THEATER 118BArtsBridge Ensemble: Theatre for Young Audiences
THEATER 118CApplied Theatre: Arts in Action
THEATER 118DArtsBridge Teaching Practicum
THEATER 119APuppetry Fundamentals
THEATER 119CPuppetry and Wearable Technology
THEATER 12Introduction to Performance
THEATER 120AActing and Performance in Film
THEATER 120BActing and Performance in Film
THEATER 120CActing and Performance in Film
THEATER 121Actor-Director Workshop
THEATER 123Intermediate Acting for Stage
THEATER 124AVocal Power and Clarity I
THEATER 124BVocal Power and Clarity II
THEATER 124CVocal Dexterity I
THEATER 124DVocal Dexterity II
THEATER 124EDialects
THEATER 124FActing for Microphone
THEATER 125APhysicality for Actors I
THEATER 125BPhysicality for Actors II
THEATER 125CSkills for Actors I
THEATER 125DSkills for Actors II
THEATER 125EAlexander Technique
THEATER 125FMovement and Combat for Theater, Film, and Television
THEATER 125GClassical Weaponry for Stage and Film
THEATER 125HMartial Arts Weaponry and Combat for Stage and Film
THEATER 126AActing Shakespeare
THEATER 126BActing Classical Texts
THEATER 126CActing III
THEATER 127Performance for Virtual Environments
THEATER 128AActing, Voice, and Movement Workshop II
THEATER 13Play Reading and Analysis
THEATER 130Fundamentals of Playwriting
THEATER 131AIntermediate Playwriting: Full-Length Play Part I
THEATER 131BIntermediate Playwriting: Full-Length Play Part II
THEATER 131CPlaywriting: Full-Length Play Capstone
THEATER 132Manuscript Evaluation for Theater
THEATER 134ADance for Musical Theater II
THEATER 134BDance for Musical Theater II
THEATER 134CDance for Musical Theater II
THEATER 134DDance for Musical Theater III
THEATER 134EDance for Musical Theater III
THEATER 134FDance for Musical Theater III
THEATER 134GDance for Musical Theater: Ballet
THEATER 135AMusical Theater Vocal Styles: Gospel
THEATER 135BMusical Theater: Creating and Playing Subtext on Standard Ballad
THEATER 135CMusical Theater Vocal Styles: Legitimate/Operetta
THEATER 135DMusical Theater Vocal Styles: Rock
THEATER 135EMusical Theater Ensemble: Creating and Playing Character
THEATER 135FSinging: Individual Instruction
THEATER 135GMusical Theater Duets: Singing in Relationship
THEATER 136Advanced Acting for Stage
THEATER 137Acting for the Camera
THEATER 138Special Problems in Performance Techniques
THEATER 139Play Reading and Analysis
THEATER 143Global Threads: Fashion and the Politics of Representation