Border Crossings: Exilic Experience in the Making of Modern Dance

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Border Crossings: Exilic Experience in the Making of American Dance, challenges previous histories of transglobal modernism to consider how war, inequality, and injustice shaped twentieth century performance art. The intellectual, pedagogical, and spiritual embodiment of a bicoastal exhibit and performance series, together as an intellectual community of scholar-artists, we investigate definitions of exile and exilic modernism as each engenders methodologies in the fields of Dance Studies and Performance Studies.