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MUSIC 417

JAZZ HISTORIES

3 credits.

Examination of jazz history with an emphasis on scholarship, criticism, and fictional representations of jazz culture especially as they relate to the African American diaspora. Emphasis on relationship between the history of racial inequality in the United States and the development of jazz and jazz scholarship.

Prerequisites & course information

Requisites: MUSIC 212 or declared in Music, Music: Education, or Music: Performance Course Designation: Core GenEd - Humanities & Arts Breadth - Humanities Level - Intermediate L&S Credit - L&S Liberal Arts and Science Repeatable for Credit: No Last Taught: Fall 2026 Learning Outcomes: 1. Demonstrate familiarity with jazz scholarship by scholars and critics Audience: Undergraduate 2. Describe the historical significance of prominent scholars and jazz figures as they relate to the history of African American communities the United States Audience: Undergraduate 3. Analyze the role of oral history (especially by African American artists) in disrupting the knowledge base established by written histories Audience: Undergraduate 4. Engage with a respected jazz artist by engaging with a class guest Audience: Undergraduate 5. Demonstrate familiarity with key terms and concepts in discussions of jazz and jazz history Audience: Undergraduate 6. Describe the large-scale historical and cultural trends relating to the performance and discussion of jazz from approximately 1900 to the present Audience: Undergraduate 7. Communicate informed opinions based on primary source materials and oral histories, based on knowledge from scholarly materials Audience: Undergraduate Learning Outcomes: 1. Demonstrate familiarity with jazz scholarship by scholars and critics Audience: Undergraduate 2. Describe the historical significance of prominent scholars and jazz figures as they relate to the history of African American communities the United States Audience: Undergraduate 3. Analyze the role of oral history (especially by African American artists) in disrupting the knowledge base established by written histories Audience: Undergraduate 4. Engage with a respected jazz artist by engaging with a class guest Audience: Undergraduate 5. Demonstrate familiarity with key terms and concepts in discussions of jazz and jazz history Audience: Undergraduate 6. Describe the large-scale historical and cultural trends relating to the performance and discussion of jazz from approximately 1900 to the present Audience: Undergraduate 7. Communicate informed opinions based on primary source materials and oral histories, based on knowledge from scholarly materials Audience: Undergraduate

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